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Place, Writing, and Voice in Oral History (Palgrave Studies in Oral History) (Paperback)

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Contact school. General Information Can you send me more information about this program? Program Dates When is the application deadline for this program? What is the start date for this program?

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Svetlana Alexievich - Writers in Motion

Study Place Where is this school located? Where is the campus located? Journalists pursuing oral history narratives employ different strategies and techniques to tell their stories.

Full text issues

The term, oral history, has been around for decades, though, early on, it was primarily the domain of folklorists, archivists, and academics. Nevins was worried about changes in the world—namely, the growing popularity of the telephone and the declining number of people keeping diaries—and how those changes might hurt future generations trying to tell stories about the past.

Few publications have pursued oral history as often—and as in-depth—as Vanity Fair. The dawn of the portable stereo tape recorder made it an increasingly affordable endeavor.


  • Place, Writing, and Voice in Oral History | S. Trower | Palgrave Macmillan.
  • Place, Writing, and Voice in Oral History by S. Trower - .
  • About This Item.
  • Master of Arts in Writing and Oral Traditions?
  • Shelley Trower | Memories of Fiction: An Oral History?
  • The Power of Oral History as Journalism.
  • Great journalists, including Studs Terkel and George Plimpton, began to play around with the form, inventing something new. Bingham realized early on how important those tips were. There was nothing I was able to add. I needed each one of my characters to tell their entire story.

    Place, Writing, and Voice in Oral History - moifriskalhand.ga

    So it was a much more elaborate, intimate, involved interview—especially with the main characters—than it would be in a normal sort of history. Bingham began by coaching her subjects. No acronyms. No jargon. Listen to this. And once you have that, you have a horizontal bar running from start to finish.

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    You know who you want to reach. You know what you want to talk about. And, with the team of people, you begin doing it. Because what you really want is for them to go on as much as possible. For the Bush White House story, Vanity Fair spoke to about 50 people, generating some 2, pages in transcripts. When am I getting a take on a situation that seems fresh?